Saint Death's Daughter
Sep. 25th, 2025 08:43 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
What a breathtaking book Saint Death’s Daughter is. Truly magnificent in all respects: its exciting, imaginative story, its absorbing, immersive worldbuilding, its soaring writing, and its sharp, compassionate observations about human nature. I loved it completely.
It’s been a long time since I walked into a book and lost myself so entirely in it, so much so that I wanted to bring pieces of it back with me into this world. Can we have sothaín meditations, please? Can we have these twelve gods? … But just certain select pieces! Because the other thing about the world of Saint Death’s Daughter is that it’s cheerfully vicious and merciless—not always and everywhere by any means—but plenty enough. Take the fact that our protagonist, Miscellaneous (Lanie) Stones, comes from a family of assassins and torturers. And there are similar people in high places throughout the story. But the folks Lanie’s drawn to are nothing like that at all. We’re more than our family history, and we can make different choices—that’s the grounding hum that vibrates through the story. Lanie sets herself to make amends for the harm her family’s done: tries, fails, and tries again, all while growing into a powerful necromancer with a deep devotion to Doédenna, Saint Death.
( There's so much! This is just scratching the surface )
So those are some of my reasons for loving Saint Death’s Daughter. It’s doing so much that it’s impossible to cover it all in a review. Lanie eventually learns to speak with more than one voice at once, with a surface voice and a deeper one (kind of like throat singing, where you sing more than one note at the same time, only Lanie’s deeper voice isn’t audible in the usual way of things). The novel is like this too: it’s speaking in a surface voice and in many other voices as well. It’s broadcasting on many frequencies; you can hear many, many things.
It’s been a long time since I walked into a book and lost myself so entirely in it, so much so that I wanted to bring pieces of it back with me into this world. Can we have sothaín meditations, please? Can we have these twelve gods? … But just certain select pieces! Because the other thing about the world of Saint Death’s Daughter is that it’s cheerfully vicious and merciless—not always and everywhere by any means—but plenty enough. Take the fact that our protagonist, Miscellaneous (Lanie) Stones, comes from a family of assassins and torturers. And there are similar people in high places throughout the story. But the folks Lanie’s drawn to are nothing like that at all. We’re more than our family history, and we can make different choices—that’s the grounding hum that vibrates through the story. Lanie sets herself to make amends for the harm her family’s done: tries, fails, and tries again, all while growing into a powerful necromancer with a deep devotion to Doédenna, Saint Death.
( There's so much! This is just scratching the surface )
So those are some of my reasons for loving Saint Death’s Daughter. It’s doing so much that it’s impossible to cover it all in a review. Lanie eventually learns to speak with more than one voice at once, with a surface voice and a deeper one (kind of like throat singing, where you sing more than one note at the same time, only Lanie’s deeper voice isn’t audible in the usual way of things). The novel is like this too: it’s speaking in a surface voice and in many other voices as well. It’s broadcasting on many frequencies; you can hear many, many things.