Only, I
did go tromping. It was too beautiful a day to stay inside. I laced my hiking boots very tightly.

My knee isn't hurting, but it
is making a weird clicking sound when it articulates, so, yeah—
something's out of alignment.
###
I Remunerated—1,500 words. I had somehow gotten it into my head that magically I would be able to crank out
4,000 Remunerative words, which would buy me a couple of days to give the Work in Progress my undiluted attention. But that ain't gonna happen, and when I got back from tromping, I was thinking too hard about David Foster Wallace to continue the Neal-Palooza scene.
###
The three great Post-Modernists whose works I've never had any great interest in cracking are David Foster Wallace, Thomas Pynchon, and Don DeLillo.
Well. I
did read
The Crying of Lot 49. And I didn't dislike it! But neither did it fill me with any great desire to read anything else by Pynchon. Authors who saddle characters with names like "Oedipa Maas" are not my cup of tea.
And I
have read a couple of Wallace's short stories and non-fiction. I was mildly impressed. Also, I'm a big fan of Wallace's protege and self-styled BFF, Jonathan Franzen.
Plus I've read Wallace's biography, the evocatively titled
Every Love Story Is a Ghost Story. (In general, I am more interested in Great Writers' bios than their actual books. Not sure what that sez about me.) In it, Wallace comes across as someone who was hideously depressed by his own physical repulsiveness. Like if some doctor had only prescribed him Botox for those overactive sweat glands and a
really effective acne medication, he wouldn't have needed all those antidepressants. Caliban would have metamorphosed into Ariel!
All of this is by way of a preamble: I've decided to read
Infinite Jest.
To
try to read
Infinite Jest!
Like I'll commit to reading the first 200 pages, and if I don't like it, I'll stop.
Reading is what I do. I spend at least two hours a day reading. And it's unrealistic to ban fiction entirely during the next six months—which, reasonably, is about the time it will take me to knock out a first draft of the Work in Progress. Assuming I keep up with it: I'm a true Aries in the sense that I'm
great at starting things, not so great at finishing things.
The trick will be to read fiction that is sufficiently unlike my own writerly voice that I'm not unconsciously plagiarizing from it.
I don't write anything like David Foster Wallace!
###
The Neal-Palooza scene is mostly written except for a couple of speeches & some character business. So next, I have to wrap up the chapter with Mimi being obnoxious on the porch.
Kinda at a loss, though, at coming up with suitably obnoxious action & dialogue.
I suppose I could always type in red font:
Mimi is obnoxious.Move on to Chapter 2.
Fill in the details of Mimi's obnoxiousness when I do the second draft.